Sun, 11 October 2009
Yep, I'm still catching up on Yen Plus. Basically, I will be breaking the review for each issue down into two parts: The Japanese first, and then the OEL and Korean section.
Higurashi When They Cry, Chapter 5: "Isolation"
Keiichi is becoming more and more paranoid. You would too if your sweet friends seem possessed at times by a demon and strange murders had occurred and someone put needles in your food! Keiichi's conflict lies in the fact that most of the time his best friends seem like the cute girls he has known for the past few months, but every once in a while, when he asks about the town secrets, their eyes change and they start talking with weird voices. He even starts carrying around a baseball bat for protection.
I would say that Higurashi stands heads above all the titles in this magazine with its mix of moe and its never-ending sense of dread and suspense. I watched the first dvd of the anime version a while back so I know how this ends, but the weirdness and horror of the story still packs a powerful punch. I look forward to the undiscovered country beyond this first arc.
My Grade: A
Nabari No Ou, Chapter 5: "Attack"
Raimei has led Miharu and company to her home village of Fuuma to consult with the ninja master Kotaru Fuuma, only to find it under attack. The Iga Grey Wolves are conducting a raid to steal Fuuma's "Forbidden Art Scroll", which they believe will aid them in capturing the Shinra Banshou. It seems to be their lucky day as that very person falls into their hands! On their side is a particularly dangerous individual named Yoite who appears to be able to cut his enemies in two just by pointing at them!
I must admit that the earlier chapters of Nabari No Ou were a little too girlish for my taste, especially with Miharu being such an emo brooder with no apparent interest in his special status. But for chapter 5, my hat is off to Yuhki Kamatani, who lets loose a can of whoop ass in the action sequences of this chapter. The art was just incredible and her choice of angles right out of film just blew me away. It's not just that the artist didn't shy away from blood. It's her mastery of pace that captures your eye, pushing you through pages with insistence. Great work.
My Grade: A+
Soul Eater, Chapter 2: "Remedial Lesson (part 2)"
The two teams of Maka/Soul Eater and Black Star/Tsubaki have a dubious distinction in common. They were supposed to have claimed the souls of 99 humans and one witch. Their current soul count combined: ZERO! So they've been given a remedial mission which they must complete or face expulsion from the DWMA. They must take the soul of Dr. Franken Stein. Yes, that's right, get it? "DR. FRANKENSTEIN". Problem is he's very powerful, being the former partner of Shinigami-Sama's Death Scythe. Both sets of partners will have to attain a higher level of cooperation and skill if they hope to defeat the evil scientist.
The early installments of this series left me at a complete loss. Atsushi Ohkubo kept on jumping from character to character each chapter and never really got a story going. I had no idea or context in which to place them so it was starting over with the plot over and over again. Starting last issue, he started bringing the cast together and laying down at least a semblance of a story arc. But the lack of a sensible plot is what makes this the weakest title in the Japanese half of Yen Plus. It does seem like the title is getting better. Good enough to buy the tankoban version, the first volume of which should be out as I write this? Not sure on that point. I'm probably gonna skip it for now. I will say this. Ohkubo's art is very unique and cool, with its absurd expressionistic surrealism, but not enough to sell me on Soul Eater as a whole.
My Grade: B
Sumomomo Momomo Chapter 4: "Dinner, A Bath, Or Me"
This chapter serves mainly as exposition, as Koushi's dad explains what the "Heavenly General's War" is all about and why Koushi and Momoko's marriage is so important to the future of Japan. Apparently, there are two large martial arts bloodlines, East and West factions, in Japan that have been fighting for centuries, like the Capulets and Montagues. Koushi and Momoko represent the two sides. It is believed that their union could finally bring about peace. But to do this means that Koushi will have to get involved in a world that he wants no part of.
Don't really have a lot to say about this chapter since it was mainly informational, but there is an extremely funny exchange between Momoko and Tenka at its beginning that made me laugh. I enjoy this title.
My Grade: B
Bamboo Blade Chapter 9: "Kojiro and the Day He Gave Up the Shinai of His Heart" & Chapter 10: "Kojiro and Bento"
With the acquisition of Tamaki Kawazoe, Kojiro still needs one more girl for his Kendo team (even though one of them, Saya, has rarely shown up for practice). When Tamaki kicks Kojiro's ass in less than a second during a practice match, it sends him into a funk, wondering how he has come to be so out of form. He also finally gets around to buying his new team some decent equipment for the big match against his rival, now a month away.
What can I say, I am a sucker for a manga or anime that features characters dwelling in poverty or at least struggling to make ends meet. That's what really got me hooked on Cowboy Bebop back in the day. They always seemed to have enough money for rice or noodles but never enough for meat. And featuring a poor teacher as the main protagonist in Bamboo Blade is even more laser sighted up my alley. Kojiro is not putting this Seven Samurai-like team together to fight for the honor of Kendo. He's doing it so he'll be able to eat! It's just so inherently funny. I really like all the characters and the humor as well. The weakness comes in the art, mainly in the kendo fights. They tend to be hard to understand and I had difficulty differing between the fighters and exactly what blows they were landing. It's rather unfortunate but the matches, at least in terms of presentation, seem to be getting better.
My Grade: B+