Sesho's Anime And Manga Reviews
My main focus is reviewing manga and anime, but I also review Japanese literature, movies, and videogames. Basically, if it has anything to do with Japan, I'll talk about it, along with a dash of Korea and China.

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  • Living In Neverland

    Goodbye CMX. It was nice knowing you. But I come here not to mourn the passing of this slightly oddball shojo publisher. I come here to honor it. Yeah, just when I was getting into their Flex titles (which i vastly preferred to their shojo), the company ups and croaks. But we all know that CMX should and would have survived had it not been for the devilish plots of their parent company, DC.

    Oh, DC, I spit at thee from the mouth of Hell! So what if the CMX imprint wasn't making any money and losing your company hundreds of thousands, if not millions of dollars a year. It was your god-given duty to crank out volumes of manga, whether they were any good or not! I don't want to hear the lame excuse that nobody was buying them! The fans that wanted them printed that didn't buy them are your customers, and its a well-known and truthful cliche that the customer is NEVER right.

    In my often ignored except when people bitch at me twitter account I stated that I didn't know if I really felt sorry for the CMX employees that lost or are losing their jobs. I stand by the statement. I was raised in a blue collar family and when people lost their jobs they didn't want family and friends, much less complete strangers, to pity them. They just looked for another job. Who wants to be PITIED?

    What I really meant was that anyone working at a manga publisher in this day and age should NEVER feel that their job is safe. They and their employers have been riding on the crest of a fad that has slowly, in some cases, quickly, evolved into a job threatening blood-letting. Who in their right mind would think they could be a manga translator for the rest of their life? Or work in the manga business as a career? I doubt if Viz or Tokyopop or Yen or Del Rey's manga imprint will be around 10 years from now. Or if they are,  it will be more like Viz was in the 90s with very few and more expensive titles and not many positions.

    Why are so many of the "manga media" and fans so SURPRISED by the death of CMX? That's what really ticked and continues to tick me off. Where are these manga bloggers, "critics", "experts" and "fans" living? Neverland? Willy Wonka's Chocolate Factory? I just cannot explain why they didn't see this coming. I've seen it for some time.

    I don't mean CMX in particular but more the End of Days for manga publishers. Manga space getting smaller in the bookstores like Borders and Barnes and Noble was one sign. (oh, can I insert here that Borders sucks?). The big sign of things to come for me was seeing all the local comicbook stores getting rid of their manga in the past year. (oh yeah, when they ripped the covers off their returns, where did all the unsaleable manga go? Into the garbage most likely)They only carry the most popular titles like Shonen Jump titles and some Dark Horse. Manga in comic stores is relegated to the pariah space of just maybe two shelves with Archie and kid titles now. Not to mention the closing of my ONLY local anime/manga store back in 2007.

    Was the fading into oblivion of multiple manga publishers in the past 2 years not a sign? Wasn't the number of discontinued titles by companies like Dark Horse a sign (Dark Horse, where is Reiko, Octopus Girl, Eden? Get off your asses please. Reiko, don't go into the light! I have rightly surmised that I will be in a senior citizen home, or dead, by the time Eden is completed).

    When Viz slashed 40% of its staff, I knew it was pretty much over. They have the strongest selling titles of any publisher with their Oprah Book Club-like Shonen Jump imprint (stick that label on anything and its gonna do ok for a time). When they cut back, you knew the industry was in deep doo-doo. And by the way, where the hell is Kodansha? What the F was with their cheap-ass parlor tricking reprints of Ghost in the Shell and Akira? Get out of the market. Stay out of the way. You're just making things worse. I am the Amityville Horror House---GET OUT!

    What is the cause of all this calamity, all these people losing their jobs, of fans bitching, of bloggers running from a falling sky?

    PEOPLE ARE NOT BUYING MANGA. ACCEPT IT. ITS NOT POPULAR. IT NEVER WILL BE EXCEPT IN A FAKE FAD KIND OF WAY. ACCEPT IT.

    The true fans buy it and love it. But there's not enough of us. It doesn't make me angry. It's just a fact. Do I wish everybody could get into it like I do? Yeah. Is that going to happen? No. I don't understand why some "fans" almost wet themselves when a volume of manga gets into the USA Today top 200 books. They seem to think that "This is just the beginning. Manga is popular now. We will take over the world. We're making progress. Next time, we'll make it to #198 for a week! Viva Le Manga Revolucion!" Get real. We're not making progress. We're in decline. No, we're not gonna die, but we have to live in reality.

    Is the decline due to fans or publishers? Or the booksellers even? On the publishing side, I think all of them are complete failures. Have I ever opened a mainstream magazine and saw a manga ad. Never. The marketing strategies of these companies suck. There is so much potential for manga to become popular, but I think the problem is that publishers are run by nitwits or controlled by the Japanese who don't know how to appeal to American markets. There are manga franchises that could make just as much money in movie form as Iron Man, Spider-Man, or Batman, if handled right. But instead we get 60 year old Keanu Reeves in Cowboy Bebop. Come on, Cameron and Speilberg, please succeed with Battle Angel Alita and Ghost in the Shell. DiCaprio, make Akira.

    Can you imagine the change in the manga market if Battle Angel Alita made as much money and got as much press as Avatar? A sea change.

    And what is up with the publisher's slow on the take reaction to the potential of online manga?Ok, Viz is in the forefront of it right now, and Tokyopop is doing it in their typically mediocre manner, but where were they when manga was at its highest popularity? They should have struck while the manga was hot. Netcomics had the right idea but had no hit titles. It took the majors almost a decade before they started getting serious about putting books online. Didn't they see what happened when the record industry failed to capitalize on the download debacle earlier in the decade. It's being repeated all over again.

    Are the publishers picking the right titles to print? No. Or they would be making more money and they wouldn't be in the state they are in.

    I have to love Viz though. I just do. They are putting out not just popular titles but more mature and experimental ones that don't always fit into what Americans consider "manga". I also love the balls they have to publish Japanese sci-fi. I've bought every Haika Soru title that has come out. I see the way they are handling their brand and titles as the key to the future. They seem to be merging the facets of their anime/manga/novel business pretty well, and with some forward looking vision.

    I think Tokyopop will be the next to fall if their Priest film is as crappy as I imagine its going to be. Im thinking B-movie all the way.

    Yen seems to be pretty healthy as long as it can suck on the neck of Twilight and somehow make money off lame series like Maximum Ride and Night School, which are pretty horrible. And just when OEL had finally been flushed down Tokyopop's toilet.

    Another one of the many causes of the manga decline? Generation Cake. A generation that wants its cake, wants to eat it too, and then regurgitate it for their friends to eat for free. Manga companies target most of their titles at kids. And guess what? They're not buying.  They're spending their money on other things. Phones. Videogames. Ipods. Music. Clothes. Girls. Guys. Movies. A lot of kids hate to read now. They think its boring. Or maybe their families don't have enough money to buy them manga. Again, this doesn't anger me or anything. They just don't like manga. They'd rather spend their money on things they get more enjoyment out of.

    I think the problem that manga faces is the opposite of the US comic market. American comic readers skew older, but they fail to bring in new readers because of so much backstory. They also fail most horribly with girls and women. Manga has no problem getting new readers, including of the female variety, but fails to keep them. If you start reading Marvel and DC when you're a kid, you keep reading them even when you get older. Manga readers tend to start young but the majority cast the hobby off as they age as more of a fad than a lifelong love.

    Another problem is that booksellers now encourage you NOT to buy books. You can go into Borders or Barnes and Noble and just read every book for free if you want. You can't go five feet without stubbing your toe on a couch or comfy chair and table. Bookstores have become so faux European. Like throwbacks to bookstores back in the 18th and 19th centuries where the intelligentsia met to discuss philosophy, literary works etc. Now, you just get lonely bums that don't want to buy anything. It's pretty disgusting. Throw all the furniture out of the bookstores!

    In the end I think the decline of the manga industry is from a combination of factors, but I think the economy is the most insignificant. It was in its death throes (or at least death wiggles) before any of this mortgage crisis was even a blip on the radar. In the end, it's simply supply and demand.

    The market for CMX titles was too small. There is no way DC would have shut them down if they were profitable. They were obviously losing money. The market for manga is too small. Not enough people like it. Face it. Me and you, we are the chosen few. Yeah, it could get better, but it will be a sham better. The core remains. Me and you.

    PS. And were people really CRYING over CMX closing up shop? Actually PHYSICALLY CRYING? Man up! Or in some cases, Woman up!

    PSS. If you notice I never brought up scanlations as a problem. I believe that people that read scans would never buy a volume of manga anyway, so they are a non-factor. But it DOES bring up another point. I hear all the time about hype and buzz for scan titles. "Hotly anticipated" is a cliche I see the most often. But who is doing the hype? Who is getting hyped? Manga media types who get their manga for free? Who cares. Scan readers who don't buy manga? Who cares. You need to get people that actually spend money on manga to get excited to buy a title or see it printed.  I remember seeing on a manga blogger's site that they were upset that a "hotly anticipated" CMX title, well at least hot on the scan sites, wouldn't be published. I was thinking, yeah, you wanted them to print another title that nobody would buy.

    PSSS. Whoa, CMX doesn't even have a website anymore? All that comes up is DC Comics. No mention of CMX. At least let them have a send-off DC! You know there were about 5 (or was it 5000?) people that wanted to post "You suck DC!".  You killed my Misery!

    Direct download: diamond.jpg
    Category:general -- posted at: 8:43pm CDT